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And this is the main problem - though it's nice for an artist to be generous and release two albums, these two records clearly derive from the same source and have the same flaws, which clearly would have been corrected if they had been consolidated into one record. But, these are not moments that are markedly different than Kid A, which itself lost momentum as it sputtered to a close. True, it's a hodgepodge with amazing moments: the hypnotic sway of "Pyramid Song" and "You and Whose Army?," the swirling "I Might Be Wrong," "Knives Out," and the spectacular closer "Life in a Glasshouse," complete with a drunkenly swooning brass band. Where Kid A had shock on its side, along with an admirably dogged desire to not be conventional, Amnesiac often plays as a hodgepodge. It would be easier to accept this if the record was better than it is. This, inevitably, will disappoint the legions awaiting another guitar-based record (that is, after all, what they were explicitly promised), but what were they expecting? This is an album recorded at the same time and Radiohead have a certain reputation to uphold. Find album reviews, track lists, credits, awards and more at AllMusic. Since Radiohead designed Kid A as a self-consciously epochal, genre-shattering record, the songs that didn't make the cut were a little simpler, so it shouldn't be a surprise that Amnesiac plays like a streamlined version of Kid A, complete with blatant electronica moves and production that sacrifices songs for atmosphere. Discover OK Computer: A Classic Album Under Review by Radiohead released in 2006. That, however, ignores a salient point - Amnesiac, as the album came to be known, consists of recordings made during the Kid A sessions, so it essentially sounds the same. At the time, people bought the myth, especially since live favorites like "Knives Out" and "You and Whose Army?" were nowhere to be seen on Kid A. It's not revelatory it's a good set of footnotes carrying some mildly interesting supplemental material.AllMusic Review by Stephen Thomas Erlewineįaced with a deliberately difficult deviation into "experimentation," Radiohead and their record label promoted Kid A as just that - a brave experiment, and that the next album, which was just around the corner, really, would be the "real" record, the one to satiate fans looking for the next OK Computer, or at least guitars. While none of this material is bad - and much is quite good - this isn't a disc that's necessary to the appreciation of OK Computer.
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While some of the non-LP B-sides here are quite good - particularly "Pearly," "Melatonin," "Meeting in the Aisle," and "How I Made My Millions" - they're not a patch on what is on the album they're a nice addition, but they don't enhance the album and that is true of the live cuts here, which are noteworthy only in how they illustrate that Radiohead's creativity was not limited to the studio (the remixes of "Climbing Up the Walls" sound like electronica artifacts compared to these). A large part of this is because all of the great songs from the sessions wound up on the album proper. This makes it a bit of a tricky candidate for a deluxe reissue like this 2009 double-disc set: it's nice to have it enhanced with all the released B-sides from the "Paranoid Android," "Karma Police," and "No Surprises" singles, along with three BBC sessions, but it's not necessary.
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With the exception of Nirvana's Nevermind, no rock of the '90s is as widely accepted as a masterpiece as Radiohead's 1997 OK Computer, and even partisans of Nirvana would have to acknowledge that OK Computer creates its own universe in a way that Nevermind does not.